Live's compressor, unlike some analog compressors, provides a lot of flexibility. Can you explain those?ĭynamic range compression is difficult. This can happen when the signal level is close to the noise level.Ĭompressor has some new views, and also some new envelopes. It's quite a common parameter that helps avoiding "chatter" when the Gate opens and closes quickly. Hysteresis is a second threshold to close the Gate. How specifically does Hysteresis work with the new Gate? In what situation might I want to use it? We worked closely with Andrew Simper at Cytomic on Glue Compressor and the new SVF filters in EQ8. We also added a few touches like multi-selection for bands and an audition mode that solos the band you're editing. The breakout view with FFT spectrum display provides more real estate to edit EQ bands conveniently. They offer precision, great sound and modern visualization while keeping the CPU usage down.ĮQ8 has been redesigned – can you talk about the new spectrum and new pop out view?ĮQ8 as a precision tool was lacking the interface to make precise adjustments. EQ and Compressor are some of the most often used devices, across all genres. We want the new studio effects be the go-to devices for any musician or producer working in Live. The ultimate goal is to help musicians and producers get great sound out of Live more quickly.
What is the ultimate goal of these new devices in Live 9? In what scenario do you think they are best used? We sat down with Daniel Büttner, the head of our Sound Team, to discuss the improvements to these new devices, and how they came to be. The forthcoming Ableton Live 9 contains an enhanced set of audio effect devices for mixing and mastering.
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